Excerpt translated from Corriere della Sera:
“But it is at Zilberman Gallery that one takes a leap into the future, with a new-generation app (Numeraire Future) that, thanks to a sophisticated combination of AI, proprietary mathematical models, and blockchain, has developed a technology for identifying artworks.
A concrete example: we are standing in front of a painting by Alpin Arda Bağcık, depicting a powerful man with eagle’s legs. By activating the app and opening the camera on a specific area of the canvas, it reads and reconfirms the unique structural characteristics of the material from which the work is made. It is this specificity that provides the painting with its original identification.
This can be important both in the field of anti-counterfeiting and in insurance, helping ensure that there is no “substitution” of the work.”
Read the full article on Corriere della Sera.